9 |
Vol.18 No.2 |
Contents |
Contents |
Oct. 2018 |
|
807
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|
8 |
Vol.18 No.2 |
Note from the Editor-in-Chief |
Ross King |
Oct. 2018 |
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687
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|
7 |
Vol.18 No.2 |
The Earliest Statements of Christian Faith in China? A Critique of the Conventional Chronology of The Messiah Sutra and On One God* |
Jianqiang SUN |
Oct. 2018 |
|
729
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|
6 |
Vol.18 No.2 |
The “Lion and Kunlun Slave” Image: A Motif of Buddhist Art Found in Unified Silla Funerary Sculpture |
Youngae LIM |
Oct. 2018 |
|
647
|
|
5 |
Vol.18 No.2 |
Memory and Reproduction: A Study of 1980s Chinese Ethnic Korean Revolutionary Narratives Focusing on Yun Ilsan’s The Roaring Mudan River |
Haiying LI and Mingjie REN |
Oct. 2018 |
|
555
|
|
4 |
Vol.18 No.2 |
Literary Representation of a Proxy-Test Taker: Focusing on “The Tale of Yu Kwangŏk” |
Youme KIM |
Oct. 2018 |
|
568
|
|
3 |
Vol.18 No.2 |
How did the Weaker Actor Defeat the Stronger Actor? Koguryŏ’s War with Sui (612−614) Revisited |
Jinwung KIM, Spencer C. TUCKER, and Grace H. KIM |
Oct. 2018 |
|
608
|
|
2 |
Vol.18 No.2 |
Mishima Yukio’s Modern Noh Play Sotoba Komachi: Nietzsche’s Influence and the Ideal Post-war Artist |
Junghee KIM |
Oct. 2018 |
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621
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1 |
Vol.18 No.2 |
Kyōdaisei Onokun no senryōki gokuchū nikki (University of Kyōto student Ono’s occupation-era prison diary) |
Mark E. CAPRIO |
Oct. 2018 |
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636
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